
Interview by António Lourenço and Nuno Fonseca. 5/7/2021
On the 1st of July, Nuno Fonseca and António Lourenço travelled from Lisbon to Alcobaça—an hour’s drive—to meet the soprano extraordinaire Mariella Devia. A true force of nature, Devia managed to preserve the integrity of her voice until the very end of her career and is widely regarded as one of the greatest voices of her generation.
Fresh from retirement, she had been invited to host a masterclass in Alcobaça, marking her first time on Portuguese soil. The masterclass was aimed at promising young Portuguese voices, including some already established soloists and others still seeking their major breakthrough. Although only six pupils were heard throughout the day, it was evident from the outset that Devia was determined to pass on the skills she had honed over the course of her illustrious career. On that day, all but one of the participants were sopranos.
Drawing on extensive personal experience as a professional singer who has attended numerous masterclasses in Portugal and abroad, Lourenço was keenly aware of the meticulous—often almost surgical—work expected from both teacher and student in such settings. Devia and her pupils more than rose to the challenge, overcoming even the acoustic limitations imposed by the stone walls of the room, which were better suited to conferences than to singing lessons.
From 10:00 to 13:00 and again from 15:00 to 18:00, the group worked intensively through the soprano operatic repertoire. This focus is customary in masterclasses, as sopranos often constitute the majority of participants. Arias from operas such as Turandot, La Sonnambula, Le Nozze di Figaro, and Lucia di Lammermoor were studied in depth.
With remarkable tact when addressing more delicate issues such as breathing and intonation, Mariella Devia guided the pupils toward a clearer understanding of how to confront their individual shortcomings and continue to progress. She consistently emphasized that there is no magical formula or one-size-fits-all solution, underscoring instead the importance of discovering what works best for each individual singer under the guidance of a teacher.